| I see my painting as a game, a one without beginning or end, a game in its broadest sense. As I play, I continuously learn its rules. While I work, my thinking process flows through conscious, unconscious, and sub- conscious levels. In this way, I seek symbols that are appropriate for the image I wish to create. The existence of these parallel worlds that move in all directions supply me with unlimited space for travelling, and the specificity of the logic about relationship between each universe yields a massive choice of combinations. Through such combining, I search and discover possible new worlds. Consciously mixing various levels of reality, I derive chaos and non-sense that I use as a tool to emphasise sharp, cynical and ironical viewpoints of the world, and of humanity. As I travel through the levels of consciousness, I unravel my vision with simple elements, which I later reorganise into the new forms. This reorganisation is often an act based on exchange, whether in shape, colour, or in basic meaning, for some other connotations that have an associative likeness and congruence in their metaphysical sense. An image, organised in this way, represents a stream of different messages that are united to form an unexpected entity, yet feels complete, whole, and unison. The basic units of measurement for my work are provoked emotions because they are the products of enormous twine of energy. I try to influence these through vibrations, so that in different intervals vibrates comic and tragic, sweet and sour, profane and hallucinatory, and all of this presented through a filter of comic and cheerful appearances. | ||